Will enjoy the sunset, the pouring in of the flood-tide, the falling back to the sea of the ebb-tide.
3
It avails not, neither time or place—distance avails not; |
20 |
| I am with you, you men and women of a generation, or ever so many generations hence; |
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| I project myself—also I return—I am with you, and know how it is. |
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| Just as you feel when you look on the river and sky, so I felt; |
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| Just as any of you is one of a living crowd, I was one of a crowd; |
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| Just as you are refresh’d by the gladness of the river and the bright flow, I was refresh’d; |
25 |
| Just as you stand and lean on the rail, yet hurry with the swift current, I stood, yet was hurried; |
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| Just as you look on the numberless masts of ships, and the thick-stem’d pipes of steamboats, I look’d. |
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| I too many and many a time cross’d the river, the sun half an hour high; |
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| I watched the Twelfth-month sea-gulls—I saw them high in the air, floating with motionless wings, oscillating their bodies, |
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| I saw how the glistening yellow lit up parts of their bodies, and left the rest in strong shadow, |
30 |
| I saw the slow-wheeling circles, and the gradual edging toward the south. |
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| I too saw the reflection of the summer sky in the water, |
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| Had my eyes dazzled by the shimmering track of beams, |
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| Look’d at the fine centrifugal spokes of light around the shape of my head in the sun-lit water, |
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| Look’d on the haze on the hills southward and southwestward, |
35 |
| Look’d on the vapor as it flew in fleeces tinged with violet, |
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| Look’d toward the lower bay to notice the arriving ships, |
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| Saw their approach, saw aboard those that were near me, |
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| Saw the white sails of schooners and sloops—saw the ships at anchor, |
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| The sailors at work in the rigging, or out astride the spars, |
40 |
| The round masts, the swinging motion of the hulls, the slender serpentine pennants, |
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| The large and small steamers in motion, the pilots in their pilot-houses, |
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| The white wake left by the passage, the quick tremulous whirl of the wheels, |
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| The flags of all nations, the falling of them at sun-set, |
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| The scallop-edged waves in the twilight, the ladled cups, the frolicsome crests and glistening, |
45 |
| The stretch afar growing dimmer and dimmer, the gray walls of the granite store-houses by the docks, |
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| On the river the shadowy group, the big steam-tug closely flank’d on each side by the barges—the hay-boat, the belated lighter, |
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| On the neighboring shore, the fires from the foundry chimneys burning high and glaringly into the night, |
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| Casting their flicker of black, contrasted with wild red and yellow light, over the tops of houses, and down into the clefts of streets. |
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4
These, and all else, were to me the same as they are to you; |
50 |
| I project myself a moment to tell you—also I return. |
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| I loved well those cities; |
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| I loved well the stately and rapid river; |
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| The men and women I saw were all near to me; |
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| Others the same—others who look back on me, because I look’d forward to them; |
55 |
(The time will come, though I stop here to-day and to-night.)
5
What is it, then, between us? |
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| What is the count of the scores or hundreds of years between us? |
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| Whatever it is, it avails not—distance avails not, and place avails not. |
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6
I too lived—Brooklyn, of ample hills, was mine; |
60 |
| I too walk’d the streets of Manhattan Island, and bathed in the waters around it; |
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| I too felt the curious abrupt questionings stir within me, |
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| In the day, among crowds of people, sometimes they came upon me, |
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| In my walks home late at night, or as I lay in my bed, they came upon me. |
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| I too had been struck from the float forever held in solution; |
65 |
| I too had receiv’d identity by my Body; |
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| That I was, I knew was of my body—and what I should be, I knew I should be of my body. |
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7
It is not upon you alone the dark patches fall, |
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| The dark threw patches down upon me also; |
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| The best I had done seem’d to me blank and suspicious; |
70 |
| My great thoughts, as I supposed them, were they not in reality meagre? would not people laugh at me? |
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| It is not you alone who know what it is to be evil; |
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| I am he who knew what it was to be evil; |
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| I too knitted the old knot of contrariety, |
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| Blabb’d, blush’d, resented, lied, stole, grudg’d, |
75 |
| Had guile, anger, lust, hot wishes I dared not speak, |
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| Was wayward, vain, greedy, shallow, sly, cowardly, malignant; |
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| The wolf, the snake, the hog, not wanting in me, |
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| The cheating look, the frivolous word, the adulterous wish, not wanting, |
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| Refusals, hates, postponements, meanness, laziness, none of these wanting. |
80 |
|
8
But I was Manhattanese, friendly and proud! |
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| I was call’d by my nighest name by clear loud voices of young men as they saw me approaching or passing, |
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| Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as I sat, |
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| Saw many I loved in the street, or ferry-boat, or public assembly, yet never told them a word, |
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| Lived the same life with the rest, the same old laughing, gnawing, sleeping, |
85 |
| Play’d the part that still looks back on the actor or actress, |
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| The same old role, the role that is what we make it, as great as we like, |
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Or as small as we like, or both great and small.
9
Closer yet I approach you; |
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| What thought you have of me, I had as much of you—I laid in my stores in advance; |
90 |
| I consider’d long and seriously of you before you were born. |
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| Who was to know what should come home to me? |
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| Who knows but I am enjoying this? |
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| Who knows but I am as good as looking at you now, for all you cannot see me? |
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| It is not you alone, nor I alone; |
95 |
| Not a few races, nor a few generations, nor a few centuries; |
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| It is that each came, or comes, or shall come, from its due emission, |
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| From the general centre of all, and forming a part of all: |
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| Everything indicates—the smallest does, and the largest does; |
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| A necessary film envelopes all, and envelopes the Soul for a proper time. |
100 |
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10
Now I am curious what sight can ever be more stately and admirable to me than my mast-hemm’d Manhattan, |
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| My river and sun-set, and my scallop-edg’d waves of flood-tide, |
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| The sea-gulls oscillating their bodies, the hay-boat in the twilight, and the belated lighter; |
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| Curious what Gods can exceed these that clasp me by the hand, and with voices I love call me promptly and loudly by my nighest name as I approach; |
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| Curious what is more subtle than this which ties me to the woman or man that looks in my face, |
105 |
| Which fuses me into you now, and pours my meaning into you. |
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| We understand, then, do we not? |
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| What I promis’d without mentioning it, have you not accepted? |
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| What the study could not teach—what the preaching could not accomplish, is accomplish’d, is it not? |
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| What the push of reading could not start, is started by me personally, is it not? |
110 |
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11
Flow on, river! flow with the flood-tide, and ebb with the ebb-tide! |
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| Frolic on, crested and scallop-edg’d waves! |
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| Gorgeous clouds of the sun-set! drench with your splendor me, or the men and women generations after me; |
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| Cross from shore to shore, countless crowds of passengers! |
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| Stand up, tall masts of Mannahatta!—stand up, beautiful hills of Brooklyn! |
115 |
| Throb, baffled and curious brain! throw out questions and answers! |
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| Suspend here and everywhere, eternal float of solution! |
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| Gaze, loving and thirsting eyes, in the house, or street, or public assembly! |
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| Sound out, voices of young men! loudly and musically call me by my nighest name! |
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| Live, old life! play the part that looks back on the actor or actress! |
120 |
| Play the old role, the role that is great or small, according as one makes it! |
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| Consider, you who peruse me, whether I may not in unknown ways be looking upon you; |
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| Be firm, rail over the river, to support those who lean idly, yet haste with the hasting current; |
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| Fly on, sea-birds! fly sideways, or wheel in large circles high in the air; |
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| Receive the summer sky, you water! and faithfully hold it, till all downcast eyes have time to take it from you; |
125 |
| Diverge, fine spokes of light, from the shape of my head, or any one’s head, in the sun-lit water; |
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| Come on, ships from the lower bay! pass up or down, white-sail’d schooners, sloops, lighters! |
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| Flaunt away, flags of all nations! be duly lower’d at sunset; |
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| Burn high your fires, foundry chimneys! cast black shadows at nightfall! cast red and yellow light over the tops of the houses; |
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| Appearances, now or henceforth, indicate what you are; |
130 |
| You necessary film, continue to envelop the soul; |
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| About my body for me, and your body for you, be hung our divinest aromas; |
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| Thrive, cities! bring your freight, bring your shows, ample and sufficient rivers; |
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| Expand, being than which none else is perhaps more spiritual; |
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| Keep your places, objects than which none else is more lasting. |
135 |
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12
We descend upon you and all things—we arrest you all; |
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| We realize the soul only by you, you faithful solids and fluids; |
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| Through you color, form, location, sublimity, ideality; |
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| Through you every proof, comparison, and all the suggestions and determinations of ourselves. |
|
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| You have waited, you always wait, you dumb, beautiful ministers! you novices! |
140 |
| We receive you with free sense at last, and are insatiate henceforward; |
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| Not you any more shall be able to foil us, or withhold yourselves from us; |
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| We use you, and do not cast you aside—we plant you permanently within us; |
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| We fathom you not—we love you—there is perfection in you also; |
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| You furnish your parts toward eternity; |
145 |
| Great or small, you furnish your parts toward the soul. |
Now, Hart Crane’s Proem: To Brooklyn Bridge
How many dawns, chill from his rippling rest
The seagull's wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty--
Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
--Till elevators drop us from our day . . .
I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;
And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,--
Implicitly thy freedom staying thee!
Out of some subway scuttle, cell or loft
A bedlamite speeds to thy parapets,
Tilting there momently, shrill shirt ballooning,
A jest falls from the speechless caravan.
Down Wall, from girder into street noon leaks,
A rip-tooth of the sky's acetylene;
All afternoon the cloud-flown derricks turn . . .
Thy cables breathe the North Atlantic still.
And obscure as that heaven of the Jews,
Thy guerdon . . . Accolade thou dost bestow
Of anonymity time cannot raise:
Vibrant reprieve and pardon thou dost show.
O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet's pledge,
Prayer of pariah, and the lover's cry,--
Again the traffic lights that skim thy swift
Unfractioned idiom, immaculate sigh of stars,
Beading thy path--condense eternity:
And we have seen night lifted in thine arms.
Under thy shadow by the piers I waited;
Only in darkness is thy shadow clear.
The City's fiery parcels all undone,
Already snow submerges an iron year . . .
O Sleepless as the river under thee,
Vaulting the sea, the prairies' dreaming sod,
Unto us lowliest sometime sweep, descend
And of the curveship lend a myth to God.
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